{"id":3479,"date":"2023-06-18T22:14:14","date_gmt":"2023-06-18T20:14:14","guid":{"rendered":"https:\/\/sookyounglee.com\/?post_type=info&p=3479"},"modified":"2025-06-02T13:12:23","modified_gmt":"2025-06-02T11:12:23","slug":"texts-en","status":"publish","type":"info","link":"https:\/\/sookyounglee.com\/en\/info\/texts-en\/","title":{"rendered":"Textes (anglais)"},"content":{"rendered":"

MONOGRAPHS<\/strong><\/h1>\n

2024<\/h2>\n

\"\"<\/a><\/p>\n

Soo Kyoung Lee<\/em>, Racine ed.<\/a>
\n(Texts from Olivier Kaeppelin, Yong Taek Park, Fran\u00e7ois Michaud, Eunlog Sim, Jean-Louis Poitevin, Hyun Jung, Henri-Fran\u00e7ois Debailleux)<\/p>\n

EXHIBITION CATALOGUES (SELECTION)<\/strong><\/h1>\n

2023<\/h2>\n

Instant fugace<\/em>, MM Gallery, Bruxelles (Belgium).
\n(Text<\/a>\u00a0from Park Yong Taek.)<\/p>\n

Vibration of silence<\/em>, Artside Gallery, Seoul (South Korea).<\/p>\n

Munpei<\/em>, CMOA, Cheongju (South Korea).
\n(Texts<\/a> from Han Eui-Jung and Park Yong Taek.)<\/p>\n

It sounds Bleu<\/em>, Orangerie du Ch\u00e2teau de Sucy, Sucy-en-Brie (France).
\n(Text [French]<\/a> from Romain Mathieu.)<\/p>\n

2021<\/h2>\n

Soo Kyoung Lee<\/em>, MM Galllery, Bruxelles (Belgium).
\n(Text [French]<\/a> from Marion Delage de Luget.)<\/p>\n

2019<\/h2>\n

Soo Kyoung Lee<\/em>, CMOA, Cheongju (South Korea).<\/p>\n

2017<\/h2>\n

Soo Kyoung Lee<\/em>, Gallery 604, Busan (South Korea).
\n(Text<\/a> from Fran\u00e7ois Michaud.)<\/p>\n

Mieux vaut attendre le printemps<\/em>, Centre d\u2019art Camille Lambert, Juvisy (France).
\n(Text [French]<\/a> from Marion Delage de Luget.)<\/p>\n

2015<\/h2>\n

Pour finir en beaut\u00e9 avec elles<\/em>, L\u2019Agart, Amilly (France).
\n(Text<\/a> from the artist.)<\/p>\n

2015<\/h2>\n

Poser-D<\/em>\u00e9<\/em>poser<\/em>, POCTB, Orl\u00e9ans (France).
\n(Text [French]<\/a> from Fanny Drugeon.)<\/p>\n

2014<\/h2>\n

Tome 2<\/em>, CJ Art Studio, Cheongju (South Korea).<\/p>\n

2013<\/h2>\n

Alain Coulange, Promise of change<\/em>, Le 19 CRAC, Montb\u00e9liard (France).<\/p>\n

Alain Coulange, 1M2<\/em>, Art en suite [\u00e9diteur] Paris (France).<\/p>\n

2012<\/h2>\n

Soo Kyoung Lee<\/em>, Um Gallery, Seoul (South Korea).
\n<\/p>\n

OTHER TEXTS (SELECTION)<\/strong><\/h1>\n

2025<\/h2>\n

Julie Chaizemartin, \u00ab\u00a0Galerie avec vue [Gallery with view]\u00a0\u00bb<\/a>, Transfuge<\/em>, 188, may 2025, p.72-75.<\/p>\n

Alexandre Crochet, \u00ab\u00a0Saint-Paul de Vence, un village capitale [Saint-Paul de Vence, a capital village]\u00a0\u00bb<\/a>, The art newspaper<\/em>, 2025, april 30, [online].<\/p>\n

2024<\/h2>\n
\n
\n
\n
\n
\n
\n
\n
\n

Kim Hyo-jeong, \u00ab\u00a0\uc0c9\uc794\uce58\uc758 \ud669\ud640\uacbd\u2026\ube5b\uacfc \uc0c9\uc744 \uc313\ub2e4 [The ecstasy of a feast of colors\u2026 stacking light and color]\u00a0\u00bb<\/a>, Busan Ilbo<\/em>, 2024, june 13, [online].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\n

Ha Song-i, \u00ab\u00a0\u2018\uc0c9\uc758 \ub808\uc774\uc5b4\u2019\uac00 \uc548\uaca8\uc8fc\ub294 \ub0af\uc120 \uacbd\ud5d8 [The unfamiliar experience of \u2018layers of color\u2019]\u00a0\u00bb<\/a>, Kookje Sinmun<\/em>, 2024, may 7, [online].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2022<\/h2>\n
\n
\n
\n
\n
\n
\n
\n
\n

Gwe\u0301nae\u0308lle de Carne\u0301, \u00ab\u00a0Soo Kyoung Lee, La couleur et le geste [Soo Kyoung Lee, Color and gesture]\u00a0\u00bb, 7 jours<\/em> Magazine, 5146, oct. 2022, p.36-37.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
\n
\n
\n
\n
\n
\n

2021<\/h2>\n

Lee Geon-Hyung, \u00ab\u00a0Soo Kyoung Lee : Parallax\u00a0\u00bb<\/a>, in Seoul Art Guide<\/em> [en ligne].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2019<\/h2>\n

\u00ab\u00a0Yo I Tang\u00a0\u00bb<\/a>, in paris-art.com<\/em>, [online].<\/p>\n

Young Taek Park, \u00ab\u00a0\uc0c9\ucc44\uc640 \uc120\uc774 \ub9cc\ub4e4\uc5b4 \ub0b8 \ucd94\uc0c1\uc758 \ud45c\uc815 [An abstract expression by colors and lines]\u00a0\u00bb<\/a>, in Hoban Artrium<\/em>, [online].<\/p>\n

2018<\/h2>\n

\u00ab\u00a0Soo Kyoung Lee\u00a0\u00bb, in Monthly Art<\/em> vol.402, july 2018, Seoul (South Korea).<\/p>\n

2017<\/h2>\n

Claire Colin-Colin, \u00ab\u00a0Soo Kyoung Lee – Franc\u0327ois Pourtaud\u00a0\u00bb [French]<\/a>, in Arta\u00efssime<\/em> review, 15, Jan.-April 2017 [online].<\/p>\n

TV report, MBC TV<\/em>, Daigue (South Korea).<\/p>\n

2016<\/h2>\n

Kim Geum-Young, \u00ab\u00a0\ud50c\ub7ec\uc2a4 \uc774 \uceec\ub9c8\uc774\ub108\uc2a4 [Plus equal minus]\u00a0\u00bb<\/a>, in CBN Journal<\/em>, 2016 march 15 [online].<\/p>\n

Lo\u00efc Tissot, \u00ab\u00a0Ces si color\u00e9s Vents de l’Ouest de l’artiste Lee Soo Kyoung\u00a0\u00bb [French] Press article, Ouest France<\/em>, 2016 Jan.16 [online].<\/p>\n

2014<\/h2>\n

TV reports for YKN News<\/em> and Arilang TV<\/em>, Seoul (South Korea).<\/p>\n

2013<\/h2>\n

Alain Coulange, \u00ab\u00a0Interview with Soo Kyoung Lee\u00a0\u00bb<\/a>, for exhibition Promise of Change<\/em>, Le 19 CRAC hors-les-murs, Belfort.<\/p>\n

Jean Louis Poitevin, \u00ab\u00a0The intimate life of darkness\u00a0\u00bb<\/a>, for exhibition ChomChom<\/em>, UM Gallery, Seoul (South Korea).<\/p>\n

2012<\/h2>\n

Jinseop Yoon, \u00ab\u00a0Un, Deux, Trois, Soleil\u00a0\u00bb<\/a>, in Neolook<\/em> Vol.2012 – 1004d [online].<\/p>\n

2011<\/h2>\n

Martin Schmitt, \u00ab Peinture de Sookyoung Lee \u00bb [French]<\/a>, for exhibition at gallery Knoeizmann<\/em>, Frankfurt (Germany).<\/p>\n

2010<\/h2>\n

C\u00e9lia Charvet, \u00ab\u00a0The physicality\u00a0 of painting for Soo Kyoung LEE\u00a0\u00bb<\/a>, L’H du Si\u00e8ge<\/em>, Valenciennes (France).<\/p>\n

2009<\/h2>\n

Baek So Yong, \u00ab\u00a0\uace0\uc815\uad00\ub150\uae68\uace0… \uc790\uc720\ub85c\uc6b4\uadf8\ub9bc\uadf8\ub9ac\uace0\uc2f6\uc5b4 [Break stereotypes… I want to draw freely]\u00a0\u00bb<\/a>, Press article in Segye Il bo<\/em> no.6566, 2009 aug. 6, Seoul (South Korea).<\/p>","protected":false},"featured_media":0,"template":"","class_list":["post-3479","info","type-info","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/3479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info"}],"about":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/types\/info"}],"version-history":[{"count":50,"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/3479\/revisions"}],"predecessor-version":[{"id":4003,"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/3479\/revisions\/4003"}],"wp:attachment":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/media?parent=3479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}