{"id":288,"date":"2023-05-10T10:54:48","date_gmt":"2023-05-10T08:54:48","guid":{"rendered":"https:\/\/glazfab.com\/test\/soo-kyoung-lee\/?post_type=info&p=288"},"modified":"2025-06-02T13:06:48","modified_gmt":"2025-06-02T11:06:48","slug":"texts","status":"publish","type":"info","link":"https:\/\/sookyounglee.com\/en\/info\/texts\/","title":{"rendered":"Texts"},"content":{"rendered":"

MONOGRAPHIES<\/strong><\/h1>\n

2024<\/h2>\n

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Soo Kyoung Lee<\/em>, \u00e9d. Racine<\/a>.
\n(Textes de Olivier Kaeppelin, Yong Taek Park, Fran\u00e7ois Michaud, Eunlog Sim, Jean-Louis Poitevin, Hyun Jung, Henri-Fran\u00e7ois Debailleux)<\/p>\n

CATALOGUES D\u2019EXPOSITION (S\u00c9LECTION)<\/strong><\/h1>\n

2023<\/h2>\n

Instant fugace<\/em>, MM Gallery, Bruxelles (Belgique).
\n(Texte<\/a> de Park Yong Taek.)<\/p>\n

Munpei<\/em>, CMOA, Cheongju (Cor\u00e9e du Sud).
\n(Texts<\/a> de Han Eui-Jung et Park Yong Taek.)<\/p>\n

Vibration of silence<\/em>, Artside Gallery, S\u00e9oul (Cor\u00e9e du Sud).<\/p>\n

It sounds Bleu<\/em>, Orangerie du Ch\u00e2teau de Sucy, Sucy-en-Brie.
\n(Texte<\/a> de Romain Mathieu.)<\/p>\n

2021<\/h2>\n

Soo Kyoung Lee<\/em>, MM Galllery, Bruxelles (Belgique).
\n(Texte<\/a> de Marion Delage de Luget.)<\/p>\n

2019<\/h2>\n

Soo Kyoung Lee<\/em>, CMOA, Cheongju (Cor\u00e9e du Sud).<\/p>\n

2017<\/h2>\n

Soo Kyoung Lee<\/em>, Galerie 604, Busan (Cor\u00e9e du Sud).
\n(Texte<\/a> de Fran\u00e7ois Michaud.)<\/p>\n

Mieux vaut attendre le printemps<\/em>, Centre d\u2019art Camille Lambert, Juvisy.
\n(Texte<\/a> de Marion Delage de Luget.)<\/p>\n

2015<\/h2>\n

Pour finir en beaut\u00e9 avec elles<\/em>, L\u2019Agart, Amilly.
\n(Texte<\/a> de l’artiste.)<\/p>\n

2015<\/h2>\n

Pose<\/em>r<\/em>-D<\/em>\u00e9<\/em>poser<\/em>, POCTB, Orl\u00e9ans.
\n(Texte<\/a> de Fanny Drugeon.)<\/p>\n

2014<\/h2>\n

Tome 2<\/em>, CJ Art Studio, Cheongju (Cor\u00e9e du Sud).<\/p>\n

2013<\/h2>\n

Alain Coulange, Promise of change<\/em>, Le 19 CRAC, Montb\u00e9liard.<\/p>\n

Alain Coulange, 1M2<\/em>, Art en suite [\u00e9diteur] Paris.<\/p>\n

2012<\/h2>\n

Soo Kyoung Lee<\/em>, Um Gallery, S\u00e9oul (Cor\u00e9e du Sud).
\n<\/p>\n

AUTRES TEXTES (S\u00c9LECTION)<\/strong><\/h1>\n

2025<\/h2>\n

Julie Chaizemartin, \u00ab\u00a0Galerie avec vue\u00a0\u00bb<\/a>, Transfuge<\/em> no. 188, mai 2025, p.72-75.<\/p>\n

Alexandre Crochet, \u00ab\u00a0Saint-Paul de Vence, un village capitale\u00a0\u00bb<\/a>, The art newspaper<\/em>, 30 avr. 2025, [en ligne].<\/p>\n

2024<\/h2>\n
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Kim Hyo-jeong, \u00ab\u00a0\uc0c9\uc794\uce58\uc758 \ud669\ud640\uacbd\u2026\ube5b\uacfc \uc0c9\uc744 \uc313\ub2e4 [L’extase d’un festin de couleurs\u2026 empiler lumi\u00e8re et couleur]\u00a0\u00bb<\/a>, Busan Ilbo<\/em>, 13 juin 2024, [en ligne].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Ha Song-i, \u00ab\u00a0\u2018\uc0c9\uc758 \ub808\uc774\uc5b4\u2019\uac00 \uc548\uaca8\uc8fc\ub294 \ub0af\uc120 \uacbd\ud5d8 [Une exp\u00e9rience inhabituelle des ‘couches de couleurs’]\u00a0\u00bb<\/a>, Kookje Sinmun<\/em>, 7 mai 2024, [en ligne].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2022<\/h2>\n
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Gwe\u0301nae\u0308lle de Carne\u0301, \u00ab\u00a0Soo Kyoung Lee, La couleur et le geste\u00a0\u00bb, 7 jours<\/em> no. 5146, oct. 2022, p.36-37.<\/p>\n

2021<\/h2>\n

Lee Geon-Hyung, \u00ab\u00a0Soo Kyoung Lee : Parallaxe\u00a0\u00bb<\/a>, dans Seoul Art Guide<\/em>\u00a0[en ligne].<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

2019<\/h2>\n

\u00ab\u00a0Yo I Tang\u00a0\u00bb<\/a>, sur paris-art.com<\/em>, [en ligne].<\/p>\n

Young Taek Park, \u00ab\u00a0\uc0c9\ucc44\uc640 \uc120\uc774 \ub9cc\ub4e4\uc5b4 \ub0b8 \ucd94\uc0c1\uc758 \ud45c\uc815 [Une expression abstraite cr\u00e9\u00e9e par des couleurs et des lignes]\u00a0\u00bb<\/a>, sur Hoban Artrium<\/em>, [en ligne].<\/p>\n

2018<\/h2>\n

\u00ab\u00a0Soo Kyoung Lee\u00a0\u00bb, dans Monthly Art<\/em> vol.402, juillet 2018, S\u00e9oul (Cor\u00e9e du Sud).<\/p>\n

2017<\/h2>\n

Claire Colin-Colin, \u00ab\u00a0Soo Kyoung Lee – Franc\u0327ois Pourtaud\u00a0\u00bb<\/a>, dans\u00a0Arta\u00efssime no.15, Janvier-Avril 2017 [en ligne].<\/p>\n

2016<\/h2>\n

Kim Geum-Young, \ud50c\ub7ec\uc2a4 \uc774 \uceec\ub9c8\uc774\ub108\uc2a4 [Plus \u00e9gal moins]\u00a0\u00bb<\/a>, dans CBN Journal<\/em>, 15 mars 2016 [en ligne].<\/p>\n

Lo\u00efc Tissot, \u00ab\u00a0Ces si color\u00e9s Vents de l’Ouest de l’artiste Lee Soo Kyoung\u00a0\u00bb<\/a> Article de presse, Ouest France<\/em>, 16 janvier 2016 [en ligne].<\/p>\n

2015<\/h2>\n

Tom Laurent, \u00ab Autour du dessin \u00bb, dans Art Absolument<\/em> no.63, 15 janvier 2015.<\/p>\n

2014<\/h2>\n

Reportages t\u00e9l\u00e9vis\u00e9s pour YKN News et Arilang TV, S\u00e9oul (Cor\u00e9e du Sud).<\/p>\n

2013<\/h2>\n

Alain Coulange, \u00ab\u00a0Entretien avec Soo Kyoung Lee\u00a0\u00bb<\/a>, dans le cadre de l’exposition Promise of Change<\/em>, Le 19 CRAC hors-les-murs, Belfort.<\/p>\n

Jean Louis Poitevin, \u00ab\u00a0La vie intime du noir\u00a0\u00bb<\/a>, dans le cadre de l’exposition ChomChom<\/em>, UM Gallery, S\u00e9oul (Cor\u00e9e du Sud).<\/p>\n

2012<\/h2>\n

Jinseop Yoon, \u00ab\u00a0Un, Deux, Trois, Soleil\u00a0\u00bb<\/a>, dans Neolook<\/em> Vol.2012 – 1004d [en ligne].<\/p>\n

2011<\/h2>\n

Martin Schmitt, \u00ab Painting of Sookyoung Lee \u00bb<\/a>, dans le cadre de l’exposition \u00e0 la Galerie Knoeizmann, Francfort (Allemagne).<\/p>\n

2010<\/h2>\n

C\u00e9lia Charvet, \u00ab Le r\u00e9el de la peinture chez Soo Kyoung LEE \u00bb<\/a>, L’H du Si\u00e8ge, Valenciennes.<\/p>\n

2009<\/h2>\n

Baek So-Yong, \u00ab\u00a0\uace0\uc815\uad00\ub150\uae68\uace0… \uc790\uc720\ub85c\uc6b4\uadf8\ub9bc\uadf8\ub9ac\uace0\uc2f6\uc5b4 [Briser les st\u00e9r\u00e9otypes… Je veux dessiner librement]\u00a0\u00bb<\/a>, dans Segye Il bo<\/em> no.6566, 6 ao\u00fbt 2009, S\u00e9oul (Cor\u00e9e du sud).<\/p>","protected":false},"featured_media":0,"template":"","class_list":["post-288","info","type-info","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info"}],"about":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/types\/info"}],"version-history":[{"count":69,"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/288\/revisions"}],"predecessor-version":[{"id":4000,"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/info\/288\/revisions\/4000"}],"wp:attachment":[{"href":"https:\/\/sookyounglee.com\/en\/wp-json\/wp\/v2\/media?parent=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}